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screenwriter/director/producer feature film underground
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COMING
DOWN THE MOUNTAIN
(feature script) synopsis Coming Down the Mountain begins as Paul Skidmore starts his
day, delivering meals to a series of older people, living in the dark shadows
of the mountain hollows in eastern Meanwhile
Joe, Paul's son, meets his friends, Bulldog and Tyler for a game of
basketball. Their immaturity only frustrates him, and after Bulldog dares him
to "bite the head off a crawdad," the unsuccessful and humiliated
Joe starts to feel that he has outgrown his friends. He finds himself alone,
seeking escape beyond the mountains that seem to isolate and insulate his
world. Joe drives
past his father, who berates him for never being home and Paul insists that
Joe be home for a steak dinner, "So we can eat like a family." At home,
Paul seems distracted and confused around his daughter and wife, who both are
eager to find a way to connect with him, as their interactions have become
empty. Amanda, the daughter, meets her friend Amber and the two plot a night
on the town, driving around the movie theater and meeting older boys. Leah,
Paul's wife, can't understand why he refuses to spend time with her. Paul
searches for escape in the quiet home of another woman, who shares his
addiction and helps him to find respite from a demanding family. Paul loses track of time and misses the
dinner he was so careful to plan. Paul's
absence at dinner sends each family member away: Joe heads to an abandoned
strip mine to go camping, a euphemism for a night of drinking, which he has
sworn to his father that he will no longer do. Amber goes to the strip mall
parking lot to smoke cigarettes and enjoy the freedom earned from Amber's
driver's license. And Leah, who remains at home, looks to confront Paul's
friend Carl Taylor about his whereabouts. Ultimately,
each member of the family must confront his or her own notions of escape as
their separate paths converge on the porch of their home the following
morning. Long Day's Journey into Night,
set in rural |