colin spoelman

screenwriter/director/producer

 

about me

 

feature film

  underground (writer/director/producer)

about

synopsis

trailer

stills

cast and crew bios

shooting script (.pdf)

website

 

short film

  coming down the mountain (writer/producer)

about

synopsis

stills

cast and crew bios

shooting script (.pdf)

download dvd

watch online

  almagordo (director/producer)

about

synopsis

stills

 

screenplays

the mountain, the miner, and the lord

    about

    author’s statement

     synopsis

    pitch materials

rem

    about

   author’s statement

    synopsis

coming down the mountain

    about

   author’s statement

    synopsis

    pitch materials

  other scripts/in development

    loglines

 

other film credits

  i love your work (executive producer)

  alone (line producer)

  porn n’ chicken (associate producer)

 

drama

  ellwood

      synopsis

      script (.pdf)

 

fiction

   easy come, easy go

   jerusalem, ky

   the things you don’t know

   over the ohio

   sagaponack

   advent

  

other projects

   c4: the chekhov project 

   nicotine jimmy dog
   cas walker 

 

resume (.pdf)

contact

   usonian films

   202 west 98th street 4b

   new york city 10025

   917.822.7903

   colin@colinspoelman.com

 

links

not coming to a theater near you

kevin thoms

off the black

street thief

julie mcniven

jody lee lipes

gregory orr

joshua newman

civil war

appalshop

indiewire

cyan pictures

rural route films

kentucky film lab

   the alternate theatre 

 

 

COMING DOWN THE MOUNTAIN (feature script)


synopsis

 

Coming Down the Mountain begins as Paul Skidmore starts his day, delivering meals to a series of older people, living in the dark shadows of the mountain hollows in eastern Kentucky. He stops off at Beulah's house and offers her breakfast, though Beulah is troubled by the fact that she needs assistance from a younger man. Paul reminds her that he's got his own troubles: an injury that hasn't yet healed and persisting unemployment. Beulah takes the meal, but it's clear that Paul is there for another reason: to purchase her pain medication, which she takes for terminal cancer.

 

Meanwhile Joe, Paul's son, meets his friends, Bulldog and Tyler for a game of basketball. Their immaturity only frustrates him, and after Bulldog dares him to "bite the head off a crawdad," the unsuccessful and humiliated Joe starts to feel that he has outgrown his friends. He finds himself alone, seeking escape beyond the mountains that seem to isolate and insulate his world.

 

Joe drives past his father, who berates him for never being home and Paul insists that Joe be home for a steak dinner, "So we can eat like a family." At home, Paul seems distracted and confused around his daughter and wife, who both are eager to find a way to connect with him, as their interactions have become empty. Amanda, the daughter, meets her friend Amber and the two plot a night on the town, driving around the movie theater and meeting older boys. Leah, Paul's wife, can't understand why he refuses to spend time with her.

 

Paul searches for escape in the quiet home of another woman, who shares his addiction and helps him to find respite from a demanding family.  Paul loses track of time and misses the dinner he was so careful to plan. 

 

Paul's absence at dinner sends each family member away: Joe heads to an abandoned strip mine to go camping, a euphemism for a night of drinking, which he has sworn to his father that he will no longer do. Amber goes to the strip mall parking lot to smoke cigarettes and enjoy the freedom earned from Amber's driver's license. And Leah, who remains at home, looks to confront Paul's friend Carl Taylor about his whereabouts.

 

Ultimately, each member of the family must confront his or her own notions of escape as their separate paths converge on the porch of their home the following morning. Long Day's Journey into Night, set in rural Kentucky, Coming Down the Mountain is a textured portrait of a family at odds with one another and the unforgiving place they call home.